1 Urdu ash'ar / shayari (shers, couplets) by
1959- N.A,
Patna (Bihar)
Rukhsaar Nazimbabadi was born in 1959. She is an Urdu poetess associated with Bahrain and has earned recognition among readers of contemporary Urdu poetry. Her work includes a number of ghazals and shorter poems, such as shers and nazms, amounting to at least eighteen ghazals and several couplets available in public poetic archives.
Her poetry often reflects themes of longing, emotional separation, the passage of time, introspection, and the inner life. In her ghazals, she uses traditional manner, rhyme, meter, and imagery to explore feelings of absence and waiting. Some of her verses speak of the slow drift of months in the absence of a loved one, or the quiet ache of being alone. She frequently uses natural imagery, night, stars, and seasons to evoke emotional distance and hope mingled with sorrow.
Rukhsaar’s shers are succinct yet emotionally charged. The power in her work often lies in understatement, in lines that hint at a larger feeling even when the surface is calm. Her nazms similarly give her the space to amplify mood or imagery beyond the tight structure of the ghazal, allowing more narrative or reflection.
While she may not have large published volumes listed prominently in mainstream literary catalogs, her poems are well represented on Urdu poetry platforms. Readers appreciate her musicality of phrasing, her command over language, and her ability to evoke strong mood and emotional presence with few words. Her audience includes people drawn to romantic, melancholic, sincere poetry.
Rukhsaar Nazimbabadi remains active (as of the latest available records) in having poems shared online, recited, and circulated among Urdu poetry lovers. Her contribution is a part of the modern tradition of Urdu ghazal and nazm writing in the Gulf / diaspora context,that is, writers outside the traditional heartlands who carry the language and aesthetic forward, adapting it to new experiences.
1 / 1: Rukhsaar Nazimbabadi
aayi hai january
to december chala gaya
a moment of closeness
and then a year of waiting again
january has come
but december has gone
Theme: Miscellany (44)
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