1 Urdu ash'ar / shayari (shers, couplets) by
(Dushyant Kumar Tyagi)
1933-1975,
Bijnor (Uttar Pradesh)
Quick Facts
Biography
Dushyant Kumar was a pioneering voice who brought the ghazal form into Hindi literature with a freshness that gave it a new identity. While Urdu ghazals had long flourished, it was through Dushyant Kumar that the form gained a permanent place in modern Hindi poetry, making him a central figure in India’s literary landscape.
He was born in 1933 in a small village in Uttar Pradesh. After completing his early education locally, he went on to study Hindi literature at Allahabad University, where he was influenced by the vibrant intellectual environment of the time. His love for poetry deepened, and he began writing verses that blended traditional forms with modern sensibilities.
His most famous collection, Saaye Mein Dhoop, remains a landmark in Hindi poetry. In it, Dushyant Kumar adapted the ghazal form from Urdu into Hindi with remarkable ease, writing verses that were lyrical yet politically sharp. His poetry gave voice to ordinary people, critiquing corruption, injustice, and the social struggles of his time. Lines like “Kisi ke baap ka Hindustan thodi hai” became rallying cries, quoted in public life and political movements.
Apart from poetry, he also wrote plays, dramas, and prose, and worked with All India Radio as a producer. His versatility as a writer allowed him to connect with audiences across different mediums. Yet it was his poetry that made him immortal.
Dushyant Kumar’s personal life was rooted in simplicity. He married Rajeshwari Tyagi, and together they raised their children, including son Aalok Tyagi, who also became a poet. His family life remained a quiet strength behind his creative pursuits.
Tragically, his life was cut short when he died of a heart attack in 1975 at just 42 years old. Despite his brief career, he left behind a body of work that changed the course of modern Hindi poetry.
Today, Dushyant Kumar is remembered as the poet who made the ghazal a part of Hindi’s living tradition. His verses continue to be recited in political rallies, poetry gatherings, and classrooms, proof that poetry can be both artistic and revolutionary.
1 / 1: Dushyant Kumar
parinde nazar naheen aate
woh mustahiq hain vahi
haq se bedakhal logo
though there are trees
no birds are seen
the deserving people are those
dispossessed of their rights
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547 Shaayars
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