1 Urdu ash'ar / shayari (shers, couplets) by
1924-1980,
Attock Tehsil (Pakistan)
Manzoor Arif was born on 1 September 1924 in the district of Attock (maternal city of Atak), Punjab, during the British colonial period. His early years were spent in a region rich with literary atmosphere and cultural exchange, which helped shape his sensibilities in Urdu poetry. He pursued higher education at Gordon College in Rawalpindi, graduating in 1945, and later completed a formal law degree. This education gave him intellectual grounding that influenced his poetic voice.
Arif’s work is marked by a mastery of classical Urdu forms; his ghazals display skilled use of meter, rhyme, and imagery, while his couplets and nazms reflect a lyrical sensitivity and emotional depth. Among his collected works are 19 ghazals, at least one nazm, and several shers, showing that though he may not have produced voluminous output, each piece bore craftsmanship and weight. His poetry often explores themes of longing, introspection, time, love, separation, human emotions, and reflections on life’s trials.
As a poet based in Rawalpindi, he became known among Urdu literary circles during his lifetime; his poems appear in collections and are remembered for their clarity of expression and emotional resonance. His style balances elegance and simplicity; he does not rely on over-ornamentation but rather lets the emotional tone, choice of metaphors, and subtle nuances of language carry the poetic force.
Manzoor Arif passed away in 1980, leaving behind a legacy that continues to live through his ghazals, nazms, and couplets shared in Urdu poetry archives. Although he might not be among the most famous Urdu poets globally, within the Urdu-speaking world, his name is respected among connoisseurs for preserving poetic tradition with sincerity. His life straddled colonial India and independent Pakistan, and his work bears the imprint of those transitions, both the nostalgia for earlier times and the awareness of changing societal landscapes.
1 / 1: Manzur Arif
dhyaan mera
teri nazar par tha
what you said
i didn’t hear
my attention was
on your eyes
Theme: Voice, Expression, & Language (70)
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