About Sahir Ludhianvi

  • Pen Name: Sahir Ludhianvi
  • Birth Name: Abdul Hayee
  • Born: March 8, 1921 | Ludhiana, Punjab, British India
  • Died: October 25, 1980 | Mumbai, India
  • Family: Born into turmoil, Sahir embraced progressive ideals at Government College, Lahore.
  • Sahir Ludhianvi– Library of Congress Authority Record

Sahir Ludhianvi: The Revolutionary Voice of Urdu Poetry and Cinema

Sahir Ludhianvi (born Abdul Hayee, March 8, 1921 – October 25, 1980) was a celebrated Urdu poet and iconic film lyricist, known for blending romance with protest and giving voice to social injustice. Often called “Anfwan-e-Shabab Ka Shayar” (the poet of youthful passion), Sahir's poetry stirred the hearts of generations, especially young people, with its unique fusion of emotional depth and political awareness.

Born into a feudal family in Ludhiana, Punjab, Sahir’s early life was marked by family disputes. Raised by his mother, he attended Malwa Khalsa School and later Government College, Ludhiana, where his political consciousness began to develop, influenced by the progressive and communist movements. His romantic nature and activism led to his expulsion during his BA studies. Sahir’s first poetry collection, Talkhiyan (1944), was an instant success and established him as a powerful literary voice.

After moving to Lahore, Sahir edited several literary magazines and became deeply involved in the progressive writers' movement. His association with the Indian freedom struggle and leftist politics shaped much of his work. Later, Sahir moved to Bombay (Mumbai) to work as a film lyricist, facing initial struggles due to his unwillingness to compromise on the quality and meaning of his lyrics.

A turning point came when he collaborated with music director S.D. Burman, producing the classic song “Thandi Hawaayein.” Their partnership yielded many memorable songs that combined poetic beauty with social commentary. Sahir’s lyrics often tackled themes of love, longing, political oppression, and social inequality.

Sahir’s personal life was marked by intense relationships, notably with poet Amrita Pritam and singer Sudha Malhotra. Despite his romantic connections, he never married.

Throughout his career, Sahir received numerous honors, including the Padma Shri (1971), the Filmfare Awards for Best Lyricist (1964, 1977), and the Soviet Nehru Award. His poetry covered a wide range of themes — from romance and revolution to psychological and political struggles — and remains influential worldwide, translated into many languages.

Sahir Ludhianvi passed away from a heart attack in 1980, leaving behind a rich legacy as a revolutionary poet and a pioneering lyricist who gave Urdu poetry a new, fearless voice.

Top Couplets by Sahir Ludhianvi

hum aman chaahte hain magar zulm ke khilaaf
agar jang laazmi hai to phir jang hi sahi
we desire peace but by vanquishing tyranny
if what is needed is a fight so be it…that fight is right
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jurm-e-ulfat pe hamen log saza dete hain
kaise naadaan hain shoalon ko hawa dete hain
people punish me for my crime of love
how naive they are… stoking the flames more
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har ek daur ka mazhab naya khuda laaya
karen to hum bhi magar kis khuda ki baat karen
each era brought in a new religion, a new god
if we were to chat about which god shall we talk?
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kabhi kabhi to woh itni rasaayi deta hai
woh sochta hai to mujhko sunaayi deta hai
sometimes, he grants such access
when he thinks i can hear him
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hazaar barq gire laakh aandhiyaan uTThen
vo phool khil ke rahenge jo khilne waale hain
let a thousand lightnings struck let many storms rise...
those flowers will keep blooming that are given to blooming
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tumhaare ahd-e-wafa ko main ahd kya samjhoon
mujhe khud apni mohabbat pe eitbaar naheen
your promise of faithfulness how should i understand it
when i have no faith in my own love
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gairon pe karam apno pe sitam
aye jaane wafa yeh zulm na kar
tyranny for loved ones kindness for strangers
o faithful one be not so cruel
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le de ke apne paas faqat ek nazar toh hai
kyun dekhen zindagi ko kisi ki nazar se hum
all we have is a viewpoint
why should we see life from anyone else’s perspective
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woh afsaana jise anjaam tak lana na ho mumkin
use ek khoobsurat mod de kar chodna achcha
where not possible to find the story a fine ending
it is best to find a beautiful turn and leave it there with grace
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gham aur khushi mein farak na mehsoos ho jaha
main dil ko us mukaam pe laata chala gaya
where the difference between joy and sorrow is not felt
i kept taking my heart to that place again and again
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Sahir Ludhianvi — where every word is a revolution in verse.

Couplets by themes

zaalim ko jo na roke
woh shaamil hai zulm mein

qaatil ko jo na Toke
woh qaatil ke saath hai

ye ehtiyat ka aalam bhi
kya qayaamat hai

pukaar bhi na sake tujhko
tere naam se hum

hum aman chaahte hain
magar zulm ke khilaaf

agar jang laazmi hai
to phir jang hi sahi

dulhan bani hui hain
raahen

jashn manao
saal-e-nau ke

Feeling something? There’s a couplet for that

Sahir Ludhianvi Shayari – Pinterest picks